The artists

Magnum is a performer who specialises in break dancing and is a member of the Paris-based Crew Chasseurs de Primes. His last 15 years of practice have been perfected by the exchanges and travels they try to provoke. The dancer is currently touring with Compagnie Montalvo, Kafig and Malka.

Since the age of 5, he has been passionate about the art of dance. From breaking to contemporary dance, Madak is both a performer and a choreographer. In 2014, he formed his company Zion B-Boyz, based in Martinique, with whom he will create ‘Chut! Je vis 2.0’. He works and performs with Marlène Myrtil’s Kameleonite, Amine Boussa’s Cie Chrikiz and more recently with the Malka company as part of the BreakDO project. As a solo dancer, he will be creating ‘Rétrograde’ in 2022, as part of the Dance Biennial at Tropiques Atrium (Scène Nationale de Martinique), and ‘Corpo Matéria’ in 2023, with which he will be touring French Guiana for Danses en Territoires. The Martinique-born dancer has won several break dance awards, including three regional Breaking championships (2021, 2022, 2023) and Afro-Caribbean champion in 2022.

Ismaël is a young breakeur and a member of 9000 Styles, a particularly active collective on the Belgian break scene. With this group, he danced for the first time in a choreographic piece, The Rebirth in 2023. The year 2023 proved to be a successful one in the young Belgian’s career, as he was named best breaker in Belgium at the Red Bull BC One Cypher Belgium. It was also the year in which he began working with the Malka company on BreakDO.

His career path can be summed up by a love of dance and music that began at an early age. In 2011, he joined the artistic scene with New Youth Posse and specialised in break in 2012.

He remains inspired by all the dance forms that thrill him and give him the freedom he can’t find anywhere else. More than an art form, dance is a way of life.

Thanks to his perseverance and desire to learn more, he has been able to work with choreographers such as Mourad Merzouki, Babacar Cissé, Emilie Capel, Jerome Ferron, Bouba Landrille Tchouda and others.

A fan of battles and the rage that comes out of them, he finds gentleness in creation, two aspects of dance that for him are complementary.

Lexx has been training in contemporary and hip-hop dance since 2017, which has enabled him to work on a variety of projects, with companies including Ego, Last Squad, La Mangrove and Malka. But that doesn’t stop him from being very active in performance projects and break dance battles.

A specialist in B.boying (Break-dance), Clément James started dancing at the age of 12. Initially, Clément James trained to prepare for the battles. It was in November 2016, when he began working on a duet with choreographer Hamid Ben Mahi, that he discovered his interest in ‘dancing to serve a purpose’ and began working in the world of choreographic creation. Since then he has worked with a dozen companies in over 15 pieces.

Hugo Ciona was introduced to dance at the age of 16 by choreographer Babacar Cissé. Under the guidance of his mentor Sabri Colin, he developed a style of movement based on approaching the ground using abstract breakdance techniques. Hugo met Canadian choreographer Andrew Skeels at the Théâtre de Suresnes for Finding Now, then joined the Kafig company, and worked with Bouba Landrille Tchouda on Barulhos.

Julia Derrien began dancing in 2011, taking technical classes in public schools. Her passion for the art led her to explore a variety of dance styles. Three years later, she decided to go professional in Lyon. Since then, she has worked with renowned companies such as Labaraka, Chute Libre and Malka, navigating between contemporary dance and hip-hop while leaving her own artistic mark, characterised by hybridity and a constant openness to new inspirations, such as Tai chi, social dances, etc. Alongside her work on stage, Julia is involved in teaching dance, running classes and workshops for a variety of audiences.

Aïda began her artistic career at the age of 12 with Josette Baïz and the Groupe Grenade. She grew up in this world, inventing her own unique choreographic language combining contemporary dance, classical ballet, jazz, hip hop and oriental dance. In 2007, she met Bouba Landrille Tchouda, artistic director of the Malka company. She has performed in several of his productions, including Regarde-Moi, Meia Lua, a Nutcracker and Barulhos. She also works as an assistant choreographer on some of the company’s productions, including OCNI [Objets Chorégraphiques Nouvellement Imaginés] and BreakDO.

Phynox, also known by his real name Patrick Flégeo, is a dancer from Lorient. He discovered his passion for dance in 2006 and quickly began to build up his experience by taking part in international hip-hop dance competitions as part of the group Wanted Posse.

Sensitive to the art of movement and fluidity, he developed his own style that constantly seeks a balance between anchoring and foundations, pushing him to go beyond the limits of his body.

In 2015, he decided to focus more on the world of performance, which enabled him to build a network in the choreographic world where he became a dancer and performer for several companies such as Hybride, Chute Libre, Malka Flowcus, Lola Gatt and Carna…

Jules Rozenwajn fait ses premiers pas dans le breakdance vers l’âge de 15 ans en suivant son cousin dans les halls où s’entraîne le Bruxel’Air crew (à l’origine de la Cie No Way Back). C’est sans relâche et avec persévérance qu’il consacrera la plupart de son temps et de son énergie à s’entraîner à la maîtrise et à l’apprentissage de ses mouvements. Parallèlement, il expérimente une autre discipline du Hip-Hop : le Graffiti. Le tag l’amène à développer son art avec précision et à reproduire des gestes jusqu’à maîtrise de son exécution.

Il prendra part aux créations de compagnie No Way Back/Milan Emmanuel “La danse des Anges Rebelles” et “Abstrkt” ainsi qu’à “Dress Code” produit par la Cie Abis/Julien Carlier et Barulhos de la Compagnie Malka.

Killian Drecq s’inscrit en 2012 en MJC à son premier cours de breaking. Il est aujourd’hui danseur interprète spécialisé en breaking, art nourri par la pratique régulière des battles et de l’entraînement en autodidacte ; il cultive aussi une appétence pour les acrobaties, l’électro, le jazz roots et la danse contemporaine. Il intègre le groupe Nextape en 2015, l’année où il gagne son premier battle. Il créé son premier solo en 2019. En 2022, il travaille avec la Cie Malka pour Barulhos, puis en 2023 dans la Cie Käfig sur le spectacle de Mourad Merzouki « Beauséjour ». 

After obtaining her diploma in choreographic studies in Grenoble in 2010, she moved to Lausanne where she joined the Marchepied junior company.  This training enabled her to work with a number of Swiss choreographers, including Marco Cantalupo and Katarzyna Gdaniec from the Linga company, Filbert Tologo and Corinne Rochet and Nicolas Pettit from the Utilité Publique company.  

In 2013 Annelise joined Alias for the Distancia trilogy, performing Sideways rain , Jetuilnousvousils and Antes. She also performed Stress Biology for Utilité Publique.  In 2015, she joined The Flying Fish Orchestra, a collective practising Soundpainting, a universal and multidisciplinary sign language that enables composition in real time. In 2017 Annelise met choreographer Dai Jian, and then joined the Maioui Danse Arts company in Lyon and took part in the Work in Progress and MO projects.

In 2018, Annelise wanted to develop her interest in hip hop and took part in the Vies violences project led by Bouba Landrille Tchouda.

In 2019, Annelise met choreographer Karine Saporta in Ouistreham and took part in the creation of JOY , a piece featuring live Irish music, and L’immaculée , a theatrical piece based on the novel by Florence Aubenas, ‘Le quai de Ouistreham’. Attracted by the creative process, Annelise is a founding member of the Grenoble-based company Aux Pieds Levés.

Like many dancers, Razy Essid learned hip hop on his own. Seduced by acrobatics from an early age, he soon developed a passion for technical floor figures and break dancing. With a dozen friends, he formed the Crevard Crew, with whom he took part in numerous battles all over France. Razy, aka bboy ‘Fever’, was noticed for his atypical style and innate ease, and joined ‘La Smala’, a team of dancers from Bordeaux who took him under their wing. With this new crew, he took part in the French, European and even World Championships in 2010, where Razy finished third. Currently a member of the Last Squad crew, he is set to become world break dance champion in 2019.

Alongside these competitions, he has taken part in a number of artistic creations, with the Nantes-based company Turn Off The Light: a stage performance combining dance, music and luminous calligraphy, the company X-Press under the artistic direction of Abderzak Houmi for the shows Face à Face / La tête à l’Envers / contact # 1, and more recently with the company BurnOut directed by the choreographer Jann Gallois, for the show Reverse.

Noah Mgbélé Timothée, nicknamed ‘Ekilibro’, is a Cameroonian dancer, choreographer and performer born in Yaoundé. From an early age, he had a passion for drawing and the circus. In 2005, he discovered breakdance through the Sn9per cr3w company, which he joined the same year. From then on, he devoted himself to hip-hop, developing his own original, hard-hitting style. Since 2010, he has evolved professionally, winning several competitions and choreographic contests, including: – ‘Mboa Contest’ in 2010, ‘Yafé Festi’ in 2011, ‘Urban Zone’ in 2012, ‘Battle Underground’ in 2013, ‘Kmer Dance Station’ in 2014, ‘Battle National Cameroun’ in 2014 and 2015, and ‘Battle Of The Year Cameroun’ in 2016. In 2013, he broadened his field of interest to choreographic creation, training with some of Africa’s most renowned choreographers, including Salia Sanou, Serge Aimé Coulibaly, George Momboye, Merlin Blériot Niakam and many others.

In 2014, he co-choreographed Integration with his company (Obosso), and in 2015 his solo Parcours. At the same time, he collaborates with musicians and performs in the musical ‘RUE 1113’.

After several years of intense investment in his artistic projects, Noah Mgbélé and his company have won such honours as the 2016 Goethe Institut Discovery Award and the European Union Prize for Artistic Creativity. Then, in 2017, he won the gold medal in the hip hop dance category at the Jeux de la Francophonie in Abidjan.

He has been practising Parkour, Freerunning, Capoeira and Tricks for over 4 years. These activities continue to fuel his artistic sensibility to this day.

A few years later, he met a Capoeira troupe in Bordeaux, Cordao de Ouro. For two years, he benefited from quality teaching and a fraternity that made him understand the importance of others, of companions, of structures both physical and moral.

It was during a year’s adventure on a tour of Western Europe that he discovered the pleasure of performing, spreading his ideas and passions, and sharing himself through street shows. It was then that he decided to make a career out of it. Thomas enrolled at the Bordeaux circus school, followed by the École nationale des arts du cirque de Rosny-sous-Bois (Enacr) and the Centre national des arts du cirque de Châlons-en-Champagne (Cnac). He specialises in what might be called ‘Acro-Movement’, which focuses primarily on the body as the sole tool, accompanied by a set design that serves the artistic proposition. Her aim? To hone his skills in movement and writing, and to be able to combine the two practices to create a harmonious whole.

Travelling from floor to standing, Jeanne Azoulay’s dance is punchy and instinctive, inspired by different aesthetics, a hybrid and singular hip hop style. Self-taught, her career has been nurtured by collaborations with a wide range of companies, including Eric Mézino’s Cie Ego for the piece Catch Me, the companies Cortex and Massala/Fouad Boussouf, Cie Chriki’z/Amine Boussa, Cie Daruma/Milène Duhameau, etc. In 2013, she joined the De Fakto/Aurélien Kairo company for the creation of La Niña de la Casa Azul, then joined the Cie les Associés Crew/Bouba Cissé for an Amerikkan Dream. In 2014, she performed in L’iniZio/creation 2013 by Amine Boussa, with whom she will collaborate on the writing of Septem/creation 2015. That same year, she began the first rehearsals for Résistance by Abdou N’Gom/Cie Stylistik.

Chandra began dancing in Caracas with the Coreoarte company. When she arrived in France, she studied contemporary dance at the CRR in Paris and then at the CNSMD in Lyon. After graduating, she returned to Ambra Senatore’s Aringa Rossa. At the same time, she co-created the piece ILS for the company Dikie Istorii. She then joined La Fabrique Fastidieuse for the street art piece Vendredi. In 2018, she collaborated with Le Pôle on various projects and cultural actions in EHPADS and universities. More recently, she joined the Maguy Marin company for the revival of Duo d’Eden. Chandra is also interested in other art forms such as singing, physical theatre and performance, which she is developing as part of the collective Les Idoles. In 2019, Les Idoles will create the performance Hoods Flakes. REFACE will be their second collective creation.

Trained by the Phase T group, which won two French Bboying Champion titles and one World Vice-Champion title, competition has been an integral part of his development.
Eddy then sought to open up to other styles by joining the Académie Internationale de la Danse. This training gave him an open mind and a wealth of knowledge, but it was choreographer Olivier Le François who gave him his understanding of the artistic side of dance. After a 2-year training period under his tutelage and as an outsider on his piece ‘Qu’en sera-t-il d’hier’, he was able to put his technical skills at the service of the artistic by trying to have the most personal approach possible. This has enabled him to work with various companies such as José Montalvo, La Cie Käfig, George Momboye, Farid O and Khady Fofana, as well as developing more personal projects.
‍Today, he tends to continue the teaching he has received while continuing to train with other choreographers and to go beyond his limits with competition.

Born in Dunkirk in 1990, Aurélien Collewet (known as Biscuit) is a dancer renowned in the battles world for his contortionist style and his key work. He is also a breakeur and rises into the air with surprising agility.

He was soon taking part in battles and shows. At the same time, in 2010, he began working with a number of partners, experimenting with improvisation, theatre, freestyle and stand-up dance. He was a dancer in Klapisch’s film Ma part du gâteau, and discovered the world of creation through the show ‘Qu’est-ce que c’est que ce cirque’ by the Just1kiff company, before taking to the stage with them at Solidays 2013 alongside Wax Tailor. He has subsequently worked with a number of choreographers, including Michel Schweizer, Marco Berrettini, Gianfranco Poddighe, Olivier Lefrançois, John Martinage , Sébastien Lefrançois, Bouba Tchouda Landrille , Farid Berki , Sandrine Lescourant, Patrick Acogny and Germaine Acogny.

A Brazilian performer, she trained at the Membros School in Macaé, directed by Paulo Azevedo and Taís Viera, before joining the company of the same name. For 5 years she took part in creations, laboratories and workshops centred on the notion of hip hop as a political body, as well as international tours. She then worked with the Hibrida company for 2 years. At the same time, she took part in a number of creative residencies with, among others, the group CENA 11 and the choreographer Lía Rodrigues.  She is currently launching her career as a choreographer with her solo Resistência, in which she expresses the various forms of violence inflicted on the body during the learning stages of life.

After studying contemporary dance at the CNR in Lyon, she joined the Coline professional integration company. She continued her training at the Folkwang Hochschule in Essen and then at the CCN in Rillieux-la-Pape, directed by Maguy Marin. Sonia went on to perform for Cie du Nouveau Jour, director Philippe Labaune, Cie des 7 sœurs / B.Pinon, Cie Epiderme / N.Hubert and Cie Propos / D. Plassard.

Since 2012, she has danced for Bouba Landrille Tchouda as part of Cie Malka for the shows Un Casse-Noisette and HS 23.

A holder of the State Diploma in Contemporary Dance, she assists him on a number of artistic and educational projects.

Born in South Korea, he has practised a number of martial arts assiduously since his Korean childhood, culminating in the title of French champion. Passionate about hip hop dance, he began his apprenticeship as a self-taught dancer before joining the companies Rêvolution / Anthony Egea as a dancer-performer and teacher, and Hors Série / Hamid Ben Mahi, Stylistik, Karine Saporta, Massala…

The many encounters that punctuate his career have introduced him to classical, modern jazz and contemporary dance.

Alexandra has danced classical, jazz, contemporary and hip hop since childhood. With a wealth of dance experience under her belt, she has worked with the Australian Dance Theater, Accrorap / CCN de La Rochelle, Cie Ethadam…

At the same time, she has drawn on new influences through tai chi, qi qong and body percussion.

A self-taught hip hop dancer, notably with the Dalton Posse crew, in 2006 he took a circus arts course at EACS in Boulogne to broaden his horizons. A regular performer with Cie Propos, Jim has worked with Denis Plassard since Elle semelle de quoi? (Carmen) in 2001.

His collaboration with Bouba began with La Preuve par l’Autre, a piece for 6 dancers and 3 choreographers created in 2014.

Eager and curious about life in all its truth and spontaneity, Sophie is interested in and questions instinctive and immediate movement. She believes in the movement of the moment, the movement that puts her in a state of dance, of minute listening, that unites body and spirit. Her diverse background has enabled her to acquire and invest a precise, rich and fluid dance, playing with gravity and the relationship between the ground and the air. With a degree in Staps, specialising in dance, and a post-graduate diploma in teaching contemporary dance, she wants to experience and pass on dance, to make the most of its richness and put it on stage.

A performer in Cie Malka’s first choreographic piece, Paroles de Sables, Paroles de vent, she has worked with such renowned choreographers as Q. Swinningham (P. Bausch), P. Doussaint, M. Dooge, M.Muller (J. Kylian) in a musical. She perfected her improvisation skills with P. Queneau (C. Forti) and the Cie P. Découflé, with J. Hamilton and E. Grivet. She also danced for the Accrorap company in the show Pourquoi Pas…

After training with the Compagnie Rêvolution/Anthony Egéa in Bordeaux, Tom worked on mixing hip-hop and academic dance. Specialising in break dance, he works a lot in exchange and develops an aesthetic punctuated by contemporary energy and movement.

His influences are mobilised to develop a hybrid dance, constantly in motion, around break and its techniques.

Nicolas came across hip-hop almost by chance over 20 years ago, and his passion led him to try his hand at these disciplines, particularly graffiti and dance. He quickly became a professional, training and working for many years alongside dancers from various companies in the network (Accrorap, Révolution, Käfig, S’poart, Chute Libre, Malka, Ego…). Through these many encounters in France and abroad, he learns, exchanges, mixes, experiments, enriches and nourishes his dance. From the foundations of pure B-Boy mixed with capoeira, circus techniques and other burlesque ‘acrobatics’, over the years he has developed a character in his own right, sincere and complete.

A contemporary dancer, her crush on hip hop culture, soul music and song fuels her fluid, cutting-edge dance… Her first experiences of creation and the stage with Christian Bourigault, in 2002 and 2003, were decisive. The following year, she contributed to the creation of the ‘Collectif Dynamo’ based in Clermont-Ferrand, where she worked as a dancer and choreographer with the Oulala series, a tribute to great musical artists… She continued her career as a performer with Cie Malka, was a dancer-actor in a piece by Elsa Carayon – Cie Les Rescapés de la Fosse Commune – and in 2009 danced for Cie La Lisière. She was assistant choreographer to Frank Micheletti of Kubilaï Khan Investigations for the show/performance Constellations 2, in which she also danced, as well as in the 3rd edition… She also works with the Cie Chute Libre.

Jean-Yves is a Malagasy dancer and member of the Dih’araiky collective. Bouba Landrille Tchouda met him in 2013 at the Mitsaka Festival in Toamasina. Alongside several other dancers from this collective, he was a performer in the creation of the piece ARY IZAHAY ZANY [ Et nous alors… ] presented at the 2014 edition of the Mitsaka Festival and which will be coming to France in 2015, at the invitation of the Théâtre Château Rouge, during the UNITAR show hosted by the town of Annemasse. He is a committed dancer, eager to learn and open to new technical and stylistic contributions.  In ARY IZAHAY ZANY, he uses the positive energy of hip hop dance to reflect some of the constraints of everyday life and some of the dreams it holds for us, with a powerful desire to unite and work together. Bouba sensed in this dancer a rage, a form of struggle to survive…
Dance is not a leisure activity, it’s an expression of determination. To exist!

Lyli Gauthier began her dance career with jazz and classical, before moving on to contemporary dance. After training at L’IDAI in Grenoble, she graduated from ISTD in tap dance, and went on to obtain the DE in dance teaching in 1998, followed by the CA in 2012.
From 2004 to 2008 she worked with the hip hop company Najib Guerfi.

In 2008 she was assistant choreographer, captain and performer in the musical ‘Les aventures de Rabbi Jacob’ produced by NDP Project at the Palais des Congrès in Paris. Since then she has worked regularly as assistant choreographer, captain and dancer-actress in musicals for young audiences.

In 2009 she founded her own company, Cie I Wanna Be…, and created and performed a solo, ‘Peaux Cibles’, the premise of a piece for five dancers and a bass player. The work of the Cie I Wanna Be… is based on energies, sensations, rhythmicity and the authenticity of gesture. In 2010, she created a duet called ‘Instantané’, a choreographic piece born of an encounter with photographer Reynald Reyland.
In 2013 she joined the artistic team for the show la preuve par l’autre, a piece in 3 acts for 6 dancers, choreographed by Bouba Landrille tchouda, Farid Berki and Anne Nguyen.

Alice Pinto Maia, known as Liss funk, developed a passion for hip-hop dance in Rennes in 1996. She began by training with Yasmin Rahmani from the group HB2. Later, she went on to meet some of the biggest names in funkstyle dance, including Greg Campbellock Jr, Tony Gogo and Suga Pop. From then on, she devoted most of her time to locking. A fan of 20s jazz, tap and African dance, she drew inspiration from all these influences to develop her own style. Regular trips abroad also enriched her dance, particularly in Japan where Soul Dance is very much in evidence. Later, Liss Funk discovered waacking with Archie Burnett and Ana Sanchez. From 2006, Alice moved into the world of battles. She won several solo battles, including Tokyo Locking Summit, Au delà des préjugés and Universal Dancers, as well as duets with her partner Willow, from Time Room Lockers.

Liss Funk currently combines teaching, travelling, battles, shows and choreographic creations. She has worked on various projects as a performer with the companies Par Terre, Magic Electro, Malka, Engrenage and 6e Dimension. In 2015 she joined the group Time Room Lockers, with her first experience being the creation of a locking show presented at La Villette.

Sithy Sithadé Ros is a Cambodian dancer specialising in powermoves, footworks and acrobatics. He also practices and trains in the martial arts. He has worked with Cie Stylistik, Cie Anothaï, Cie Alexandra N’Possee, Cie Par Terre and Cie Malka.

Médé trained in hip hop dance, specialising in breakdance and top rock, followed by modern jazz and contemporary dance. He joined Cie les Échos-liés and Cie RV6K in 2010, and in 2014 joined Anne Nguyen’s Cie par terre.

Jimmy Zelou trained with leading choreographers such as Kamel Ouali (Hip Hop), Georges Momboye (African dance), Sébastien Lefrançois (Hip Hop), Cie Boogie Saï (Hip Hop) and Jacques Aunidas (Street Jazz). He is also studying dance movement with Yudat. He took part in the creation of Addic’son with Cie Yudat and La Preuve par l’Autre by Bouba Landrille Tchouda, Anne Nguyen and Farid Berki.

Anouk Viale is a multidisciplinary artist. An actress, dancer and choreographer, she likes to push boundaries and mix genres. Attracted by creations from multiple artistic universes, she likes to move from acting to dance, via interpretation and choreography. She has worked with Marie-Claude Pietragalla, Nicolas Briançon, Jean Paul Gaultier, Robert Carsen, Jean-Claude Gallotta and Mathilda May, among others.

Rémi Autechaud is a versatile dancer, equally at home on the floor or standing up. He is renowned for his popping and waving moves. He began his career in 2001 with the Gremlins Crew. From 2003 to 2005, he worked with the Agogo company on musical shows for young audiences. In 2005 he joined Compagnie Käfig for the creation of Terrain Vague. Since then, he has danced in a number of works by Mourad Merzouki: Récital (reprise), followed by Tricôté (2008), Boxe Boxe (2010), Yo Gee Ti (2013), Pixel (2014), Cartes Blanches (2016) and Vertikal (2018). He also dances for the company S’Poart and danced in Bouba Landrille Tchouda’s Un casse noisette .

Energetic, fluid and rhythmic, Audrey’s dance is at the crossroads of several influences and techniques: traditional African dance, contemporary dance, martial arts, theatre and sensory movement (Danis Bois method). She holds a state diploma in contemporary dance.

Passionate about mixing genres and cultures, since 2011 she has been choreographing for groups of amateur musicians and dancers (les Zurbamateurs, Kachina groove), with whom she has worked on a range of creative projects including the opening of the Sens-interdits Festival at the Théâtre des Célestins in Lyon and the Europhonies parade in Strasbourg (…). Through these experiences, she has acquired skills that have led her to train and direct amateur groups for street performances, whether strolling or static. She worked as an assistant choreographer on the parade for the Lyon Biennial Dance Festival, with the Virevolt circus company (Aurélie and Martin Cuvelier) in 2012, and more recently with choreographer Bouba Landrille Tchouda (Malka company) in 2014.

A young dancer and performer from Bordeaux, Nathanaël specialises in breakdance and, more broadly, hip hop, with a wide range of contemporary training at the Lullaby Danza Project.

His dance is a blend of genres, particularly hip hop and contemporary.

Willy is a young Malagasy dancer and member of the Dih’araiky collective. Bouba Landrille Tchouda met him in 2013 at the Mitsaka Festival in Toamasina. Alongside several other dancers from this collective, he was a performer in the creation of the piece ARY IZAHAY ZANY [Et nous alors… ] presented at the 2014 edition of the Mitsaka Festival and which will be coming to France in 2015, at the invitation of the Théâtre Château Rouge, during the UNITAR show hosted by the town of Annemasse. He is a committed dancer, eager to learn and open to new technical and stylistic contributions. Bouba sensed in this dancer a rage, a form of struggle to survive… Dance is not a leisure activity, it is the expression of a determination. To exist! Willy Razafimanjary is one of the company’s performers and also a teacher.

Lia Fayollat started dancing at an early age at the Eidos Centre in Italy, the country where she was born and grew up. There she discovered hip hop and contemporary dance, but also modern jazz and classical dance.
 She also trained with Cie Botega in Rome, where she later worked, and Rêvolution in Bordeaux. She now dances for a number of companies, including Cie Malka and Ballet21.